City of God (2002)

City of God (2002)

City of God (Portuguese: Cidade de Deus) is a 2002 Brazilian crime drama film co-directed by Fernando Meirelles and Kátia Lund, released in its home country in 2002 and worldwide in 2003. The story was adapted by Bráulio Mantovani from the 1997 novel of the same name written by Paulo Lins, but the plot is loosely based on real events. It depicts the growth of organized crime in the Cidade de Deus suburb of Rio de Janeiro, between the end of the 1960s and the beginning of the 1980s, with the closure of the film depicting the war between the drug dealer Li'l Zé and vigilante-turned-criminal Knockout Ned. The tagline is "If you run, the beast catches you; if you stay, the beast eats you", a proverb analogous to the English "Damned if you do, damned if you don't".

The cast includes Alexandre Rodrigues, Leandro Firmino da Hora, Phellipe Haagensen, Douglas Silva, Alice Braga and Seu Jorge. Most of the actors were, in fact, residents of favelas such as Vidigal and the Cidade de Deus itself.

The film received worldwide critical acclaim, receiving four Academy Award nominations in 2004: Best Cinematography (César Charlone), Best Directing (Meirelles), Best Editing (Daniel Rezende) and Best Writing (Adapted Screenplay) (Mantovani). Before that, in 2003 it had been chosen to be Brazil's runner for the Academy Award for Best Foreign Language Film, but it was not nominated to be one of the five finalists. If it had been nominated, it would have been ineligible the next year for any other category. The film continued to be praised.

Meirelles and Lund went on to create the City of Men TV series and film City of Men, which share some of the actors (notably leads Douglas Silva and Darlan Cunha) and their setting with City of God.

Storyline

Brazil, 1960's, City of God. The Tender Trio robs motels and gas trucks. Younger kids watch and learn well...too well. 1970's: Li'l Zé has prospered very well and owns the city. He causes violence and fear as he wipes out rival gangs without mercy. His best friend Bené is the only one to keep him on the good side of sanity. Rocket has watched these two gain power for years, and he wants no part of it. Yet he keeps getting swept up in the madness. All he wants to do is take pictures. 1980's: Things are out of control between the last two remaining gangs...will it ever end? Welcome to the City of God.

Plot

In the opening scene, chickens are being prepared for a meal when a chicken escapes and an armed gang chases after it in a favela called the Cidade de Deus ("City of God"). The chicken stops between the gang and a young man named Rocket (Buscapé), who believes that the gang wants to kill him. A flashback traces Rocket, the narrator, back to the late 1960s. He lived incredibly poor in this slum of Rio.

Three impoverished, amateur thieves known as the "Tender Trio" – Shaggy, Clipper, and Goose – rob and loot business owners; Goose is Rocket's brother. The thieves split part of the loot with the citizens of the City, and are protected by them in return. Several younger boys idolize the trio and one, Li'l Dice (Dadinho), convinces them to hold up a motel and rob its occupants. The gang agrees, resolving not to kill anyone, and tell Li'l Dice to serve as lookout. They give him a gun and tell him to fire a warning shot if the police arrive but an unsatisfied Li'l Dice fires a warning shot mid-robbery and guns down the motel inhabitants once the gang have run off. The massacre brings the attention of the police, forcing the trio to split up: Clipper joins the church, Shaggy is shot by the police while trying to escape the favela, and Goose is shot by Li'l Dice after taking the thieving boy's money while his friend Benny (Bené) watches.

The film then skips forward some years later in the 1970s. Rocket has joined a group of young hippies. He enjoys photography, and likes one girl, but his attempts to get close to her are ruined by a gang of petty criminal kids known as "The Runts". Li'l Dice now calls himself "Li'l Zé" ("Zé Pequeno"), and along with Benny has established a drug empire by eliminating all of the competition, except for one dealer named Carrot, and forcing Carrot's manager Blackie (Neguinho) to work for him instead.

A relative peace has come over the City of God under the reign of Li'l Zé, who avoids police attention by having an initiate kill a Runt. Zé plans to kill Carrot, but Benny talks him out of it.

Eventually, Benny and his girlfriend decide to leave the City, but during the farewell party Zé is distracted, and Blackie accidentally kills Benny while trying to shoot Li'l Zé. As Benny was the only man holding Zé back from taking over Carrot's business, his death leaves Zé unchecked and Carrot kills Blackie for endangering his life.

Following Benny's death, Zé beats up a peaceful man named Knockout Ned and rapes Ned's girlfriend. After Ned's brother stabs Zé, his gang retaliates by killing his brother and firing on Ned's house and killing his uncle. Ned, looking for revenge, sides with Carrot and eventually a war breaks out between Carrot and Zé.

Skipping forward again to the early 1980s, both sides enlist more "soldiers", with Zé providing weapons for the Runts and eventually the reason for the war is forgotten. One day, Zé has Rocket take photos of him and his gang. After Rocket leaves his film with a friend who works at a newspaper office downtown, a female reporter publishes one of the prints, since nobody can get into the City of God anymore. Rocket takes a romantic interest in the reporter, eventually losing his virginity to her.

Rocket thinks his life is endangered but agrees to continue taking photographs, not realizing Zé is very pleased with increased notoriety. Rocket then returns to the City for more photographs, bringing the film to its beginning. Confronted by the gang, Rocket is surprised that Zé is asking him to take pictures, but as he prepares to take the photo after forgetting the chicken, the police arrive, who drive off when Carrot arrives. In the gunfight, Ned is killed by a boy who has infiltrated his gang to avenge his father: a security guard who was killed by Ned during a bank robbery. The police capture Li'l Zé and Carrot, planning to give the media Carrot, whose gang never paid off the police, while they steal Zé's money and let him go. He is then murdered by the Runts who intend to run the criminal enterprise themselves. Rocket secretly takes pictures of both scenes, as well as Zé's dead body, and brings them back to the newspaper.

Rocket is in the newspaper office looking at all of his photographs through a magnifying glass, and deciding whether to publish the photo of corrupt cops and become famous or the photo of Li'l Zé's body and get an internship at the newspaper. He decides on the latter and the film ends with the Runts walking around the City of God, making a hit list of the dealers they plan to kill in order to take over the drug business. They mention that a Comando Vermelho ("Red Command") is coming.

User Review

The film revolves around the, 'City of God,' a favela (or ghetto) in Rio de Janeiro, Brazil, a horrifying area where drug dealers run the community, and where children killing children is not an uncommon occurrence.

The story begins with the early stages of the City of God (in the 1960's) showing where many of the problems stem from- the extreme poverty, overcrowding etc. Here, in the early stages of the favela, we meet our main characters, along with the supporting cast. The story revolves mainly around two characters living in the favela, Rocket and Lil Ze, and how they take two different paths through life. Rocket's dream is to become a photographer and to escape the City of God while Lil Ze becomes a powerful gang leader and drug dealer.

The film offers an unflinching look at gang life in the City of God, as it follows the favela through three decades; the 60's, 70's and 80's, and shows how violence just spirals into more violence with the disturbingly high amounts of violence in the favela, most involving teenagers and children.

The direction, cinematography, and editing are all Oscar-worthy. The cinematography is some of the best I have ever seen- with a very visceral, jerky feel, very reminiscent of Saving Private Ryan. The editing is very frantic, which makes you feel like you are on the streets of the City of God, and the direction is flawless, seamlessly blending the many elements of the story.

The film was definitely one of the best films I have ever seen. The story, the direction, the cinematography, the editing and the acting all add up to make a excellent movie that I would recommend to all.